Ferrandis captures the subtleties and vicissitudes of the landscape: light, distance, shadow, movement, color, sound, and temperature, in an exhibition consisting of constructed paintings and installations. His works are abstract, poetic depictions of the sensory and emotional experiences caused by these atmospheric elements.

In Dreams & Leftovers, Hello will feature a video projection, drawings and large scale photography all inspired by his gathering of cultural information from the internet, television and newspapers. His video titled Blind News is about television news programming gathered from our daily life juxtaposed with beautiful scenes from everyday life.  His photo series takes religious iconography and incorporates his pop and humorous twist.  

It Gets Worse
Clifton Childree. Rat Bastard and Nikki Rollason.

Sculptor David Shaw continues to excavate the seemingly endless layers of biology, physics, nature, and technology. His work, aside from being contemporary sculpture by definition, is rather categorically ambiguous. Through the use of steel, wood (raw and finished), paint, holographic laminate, and found objects, Shaw now ventures into a more personal realm than in his last exhibition here in 2005, which was heavily entrenched in a nature vs. technology dialect.

The University of Miami’s Wynwood Project Space presents three graduate thesis exhibitions by Liliam Dominguez, Richard White and Pmoss, who are receiving their MFA degrees this year.  For more information, or to set an appointment to view the exhibition, please email: logan@miami.edu

Anita Reyna’s Undertheskin consolidates its previous language and incorporates the resource of video to obtain a random and playful association of concepts. Loaded with humor and delirious by the forms, Anita Reyna’s most recent work reflects the artist’s obsession of the compositional game between patterns and textures of kaleidoscopic effect.

Felipe Herrera’s Bodies and Boxes is made up of obsessive boxes, windows that are opened to other worlds where we all inhabit. Indifferent doors that lodge fragments of a being’s universe; symbolic language impregnated of violence and tenderness. The work of Felipe Herrera is an assemblage where tangible elements are intertwined; paradoxically they come of an imagery hoarded for years in the memory of the man who creates it.

More on Signature visit http://signatureart.blogspot.com

A distinctive and chronological perspective of Lam’s work showcasing definite states of his visual development, starting from the beginning of his career in the early 20’s and 30’s, and emphasizing the moment when his painting turned iconic exceeding the boundaries of his natal Sagua la Grande (Cuba) during the 40’s, 50’s, 60’s and 70’s. The show  features a strong selection of over 40 paintings and sculpture that best represent the different periods of Lam’s prolific career.

An extremely important collection of masterpieces purchased in Paris, New York, Madrid, Maastricht, Rome, Milano, Mexico DF, Bogota and Washington over the past 3 years. This exhibition celebrates the magnificent Wifredo Lam show at Miami Art Museum

On View until April  30
Fernando Botero – New Sculpture
Frank Stella - Five Decades of Paintings and Sculpture
Guillermo Muñoz Vera – Eight days in Havana

Born in New York City, Robert Craig showed an aptitude for art at a very early age. By the age of 14 while staring at a Frank Frazetta original that was hanging in the Society of Illustrators he knew exactly what 'kind' of artist he wanted to be. Robert wanted to be, and became a commercial illustrator.

Marry me – Western Union will be Miami based artist David Rohn’s first exhibition with the gallery for which the artist will explore cultural and historical definitions of union,  both temporal and eternal.  Assuming the role of prospective bride “Esperanza” (which means both ‘hoping’ and ‘waiting’ in Spanish) the artist will address notions of unity, which he views as fundamental to the search for meaning.

Broadening his subject matter to include the theological, Rohn references the writings of the 16th century Spanish mystic Saint Teresa of Avila particularly from her book ‘Interior Castle’, in which she frequently described her union with God  as that of a Bride to a Spouse.

Using live video feeds together with telephone and audio content. the artist will virtually connect the conditions within the gallery and those outside in the adjacent garden – stressing the relationship between internal and external consciousness and the part that technology plays in our relationships.